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Culture of Popular Laughter : ウィキペディア英語版
Culture of Popular Laughter

The Culture of Popular Laughter is a historical-anthropological theory devised by the literary critic Mikhail Bakhtin, first published in the book ''Rabelais and His World'', based on observations of popular culture in the Renaissance. Bakhtin analysed François Rabelais' book ''Gargantua and Pantagruel'' and its portrayals of "grotesque realism" (i.e. celebrations of primary needs) and carnival in which social norms were subverted.
The Culture of Popular Laughter combines two literary ideas developed by Bakhtin in the same work: the idea of "Grotesque body" and "Carnivalesque" debauchery. It is distinguished from each, however, by its applications outside literary theory.
==Carnivalesque==
(詳細はCarnivalesque" was also created by Bakhtin and forms part of his wider theory of Popular Laughter. He argued that, during times of carnival such as the Feast of Fools, social norms were deliberately turned upside-down. The carnival then became a form of Safety-valve institution, which served a Structural-functionalist role to temporarily release stresses in the contemporary social system. Bakhtin, however, argued that this form of system was "formalized" in the culture of the period as "popular laughter".

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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